The Imperial Carriage

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The Imperial Carriage
The Imperial Carriage The Imperial Carriage The Imperial Carriage
Buying as Sample(s)
Qty Net Price Shipping Cost Selling Price
1+
PCS
US$58.458
US$53.556
US$112.014
3+
PCS
Quantity:PCS
Buying as Case of 6 Units
Qty Net Price Shipping Cost Selling Price
1+
Case(s)
3+
Case(s)
Quantity:Case(s)

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  Specification   Reviews    
ID NumberCACP-TYL-BNT
Unit Packing
  • 560 × 100 × 100 mm
  • 1.6 kgs
Export Carton
  • 6 PCS per carton
  • 56 × 30 × 20 cm
  • 9.6 kgs
Quick Features
  • Artist: Yan Liben
  • Image: 37cm×123cm (H×W)
  • Scroll: 48cm×208cm (H×W)
  • Warranty90 Days Warranty
    Artist          
    Yan Liben

    Title
    The Imperial Carriage

    Object types
    Printing, Silk hanging scroll

    Dimensions
    Image: 37cm×123cm (H×W)
    Scroll: 48cm×208cm (H×W)

    Description
    In the collection of Palace Museum, Beijing
    The Imperial Sedan, also known as "Emperor Taizong Receiving the Tibetan Envoy". It is one of Liben’s famous paintings depicting the meeting of Emperor Taizong and Ludongzan (The first king of Tibet who was infatuated with Princess Wencheng from China and built her a palace to live in. In 641 he sent Ludongzan to China to accompany her back to Tibet to be his queen.). In the painting, subordinate servants are smaller and the main figure larger than normal. This style was a characteristic of the 7th century painters.

    Biographical Details
    Yan Liben (600-673) was one of the greatest painters of the Tang dynasty who worked his way up the social ladder to one of the highest positions in the government, the Prime Minister of the Right. He was also the main court painter for three reigns, starting his career in Taizong’s imperial court (627-649). Yan Liben introduced a new sense of realism to portrait painting, a genre which he did much to develop during the period of the T’ang Dynasty. Although probably none of his original works survives today, records tell us that he was most renowned for his paintings of Buddhist and Taoist themes and also as the painter of historical personages and events. The superb scroll painting Portraits of Thirteen Emperors in the Museum of Fine Arts, Boston, has been attributed to him but may be a copy. It represents the peak of early T’ang art.
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